Showing posts with label MPAA. Show all posts
Showing posts with label MPAA. Show all posts

Monday, March 30, 2009

NEWS: Bruno Gets NC-17 Rating...

So, this news really comes as no surprise, at least to me. Sharon Waxman has reported that the destroyers of creativity, The MPAA, have decided to place the dreaded NC-17 rating on the first cut of Sacha Baron Cohen's next film, Bruno.

Universal’s ”Bruno,” the widely anticipated Sacha Baron Cohen docu-comedy opening in July, has been slapped with an NC-17 rating on its first submission to the Motion Picture Association of America because of numerous sexual scenes that the ratings board considers over the line, according to the studio releasing the film.

Among the objectionable scenes is one in which Bruno -- a gay Austrian fashionista played by Baron Cohen -- appears to have anal sex with a man on camera. In another, the actor goes on a hunting trip and sneaks naked into the tent of one of the fellow hunters, an unsuspecting non-actor.

A Universal spokesman confirmed the rating on Sunday, saying: "On its first submission the film did not receive an R but it is far too early to say that there is any struggle to get there as the process is only at its inception.”


Now, I'm not opposed to studios cutting films to get a specific rating, say from an R to a PG-13. However, the idea of a studio cutting a film from NC-17 to an R, kinda feels a bit weird, for a few reasons.

First off, the budget for Bruno is not large. 20-25$ million is what was reported early on in the start of production, and even if it ups a bit, it's not to much. Hell, Borat cost 18 million, and grossed 128$ million. For a small budget, from a big studio anyways, there would be little to no loss. The only difference between the rating is that if a film is an NC-17 rated film, then no one under 17 can be admitted, where as an R rated film can be seen by anyone, with a guardian (don't even get me started on parents who bring their kids to see R rated films like Last House On The Left). Also, it takes away the films overall creativity. If a film is cut due to time, then you can mess around with what to cut, but being cut for content seems to always leave a wierd film on the screen. Take Lust, Caution for example. That was the last film of note to be released with an NC-17 cut, and it faired well, not like gangbusters, but it wasn't a bomb either.

That said, there are monster problems with an NC-17 Rating. Most influential is the lack of any promotion by mass media. With an NC-17 film, you can't release tv spots, mainstream print ads, or really any trailers that will be seen by the mass public, ones that would need to know that this film is being released.

I guess what I'm trying to say is that I see both aspects of this cut. What do YOU think?

Go see something good!

Saturday, August 9, 2008

The MPAA...is it needed??? Plus...some early Joker Concept Art...

Kevin Smith is not a shy guy. Kevin Smith, as many of you know, or should know, is the director of such comedy classics (at least in my mind), Clerks, Dogma, and the brilliant Clerks 2. Now, in many of his films, he had a run in with the MPAA, the ratings board for this fine medium. His newest film, Zack and Miri Make a Porno, was no different. Just as of two weeks ago, it looked as though the cut Smith gave to the devil, umm, MPAA was going to recieve the dreaded NC-17 rating. However, KS has won his battle, and it looks as though it will recieve the all important R rating. So, that brings me to my question. In Clerks 2, he has a man have sexual relations with a donkey, and in this film, he is basically all on the table in saying that this will be about two friends making a porn film. So, is there really a point to the MPAA? Should it even exist? Or is there a point, but it just needs an overhall? Should it stay the same? I'm a really liberal guy, so you can expect what I will say, but I really want to get into this. I want to hear what you guys think, so post some comments.

The other thing I would like to talk about, are these really interesting photos from the book, the Art Of The Dark Knight, which features early pre production information, the shooting script, and some really interesting pics...





What do you guys think? I'm suprised with how tame the final version they went with was. Would these have made the film to dark for it's own good???

That's all I've got for now...come back for more news and the weekend wrap up....

How can they do a Pineapple Express/Superbad crossover when Rogen is in both films??? I want your theories people!

Go see something good!!!

R.I.P. Bernie Mac...

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