Friday, June 19, 2009

REVIEW: The Hurt Locker...



The rush of battle is often a potent and lethal addiction, for war is a drug."
-Chris Hedges


This is the first thing you see when viewing Kathryn Bigelow's new action-thriller, The Hurt Locker. It is a perfect opening card for this phenomenal film.

The Hurt Locker is a portrayal of elite soldiers that, in Iraq, have one of the most dangerous jobs: disarming bombs during combat. One of these soldiers is a new sergeant, James, who is taking over control of a bomb disposal team amidst heated conflict. After the death of Sergeant Matt Thompson, he takes over the team, and surprises his two subordinates, Sanborn and Eldridge, by hurling them, and the viewer, into a deadly game of cat and mouse. This film takes a look at not only the events that this team goes through, but the psychological tole that these events have taken on the men. From being afraid of death, to being indifferent, this film takes a look at three men, and their fight to survive, while staying sane in an insane setting.

The summer movie season has always been known to bring out the biggest action and thrillers out there. This summer has been no different. Terminator 4, Transformers 2, Taking of Pelham 123 are all examples of this.

Well, one that hasn't gotten the same level of hype, at least publicly, is Kathryn Bigelow's film, The Hurt Locker. It's a shame to, as this may be the best yet.

Bigelow may be best known as the woman who has brought us the underrated action film, Point Break, which is a film that I really hold dear to my heart. Bigelow has always had a great eye for action, and this film may be her best film to date.

From the outset, this film is a no hold barred action film, that has edge of your seat thrills. From the opening scene, you are thrust right into the middle of the story. A group of men, in one of the most hostile areas in the world, with the most dangerous job of them all. Not only do these men have to worry about the surroundings that they work in, but their job at hand, disarming bombs, is nothing to shake a stick at.

With each set piece, 4 or 5 to be exact, the level of suspense is amped up, until you get to one of the most tense scenes I've seen in a long time. There is also one scene in particular, a sniper battle, that will haunt you far after the end credits. It's both action packed, and white knuckle tense, and there is not a dull moment during this master's class in war time tension. It's taught, tight, and is similar to a film like Red Eye, in where there is not a single scene wasted. Each scene plays into either the story on screen, or the story in the player's heads.

Not only have we seen a rush of action-thrillers recently, but we also have seen more than our fair share of films based around the Iraq War, with most of them bombing. Rendition was flawed, Lions for Lambs was awful, and Stop-Loss was probably the worst. However, that trend is destroyed with this film. This film not only gives us one of the most taught and suspenseful action films this year, but it also gives us a stark look into one of, if not the most dangerous job on the planet. These men risk their lives on a daily basis, and this film, while being a portrayal of these men, it also takes a really intriguing look at what the idea of losing your life simply doing your job, and what toll that can have on a persons mentality and life. This is much more than a standard action film.

While the action and tension will keep you glued to the screen, it wouldn't be that way without the brilliant cast.

During the film, you follow three soldiers. You have the confident yet reserved Sanborn, played superbly by the always great Anthony Mackie. He is the second in command, yet is much more of the father of the group. He is afraid of dying, and there is one scene between he and Jeremy Renner, who plays the new Sergeant, James, that will leave you heartbroken and wondering why this man isn't a household name yet. Renner is great as well, as he is the opposite of Sanborn and the other crew member, Eldridge played by Brian Geraghty. He is fearless, and a tad bit off his rocker, yet he also has his fears. He is a father, and a husband, and he fears that he may never get to see them again.

Written by Mark Boal, the Hurt Locker is Kathryn Bigelow's newest film. Director of the great Point Break and the less than stellar K-9 The Widowmaker, this film is easily the best in her canon. Along with Barry Ackroyd's cinematography, the two paint a gritty and realistic portrait of these men's lives. It also is aided by the great script from former embedded reporter and Rolling Stone writer, Mark Boal, which gives us a great sense of tension, as well as giving us more than enough great character moments.

That said, the film does have a few flaws.

The main flaw is when the film relies solely on it's character portraits. Particularly in the performance of Renner as Sergeant James, you never completely know what makes each of these people tick. You get hints, like how Sanborn is a bit more conserved because he wants to make it home to have a family, but it's not completely fleshed out, or at least not to the point where it makes total sense. Yes, there is room for ambiguity, but when you have room for more, it leaves the viewer wanting more. Also, the music is a bit overpowering in the film. Not the score, which is almost non existent, but the source music is just a bit mistoned. It fits the characters, but not really my taste, at least for such a tense film.

However, this film is perfect in every other way.

More than an action film, this film can be seen as a top notch character study, about what war can do to people involved in it. Throw these brilliant performances in with the superb direction of Bigelow, and you will have a film you won't soon forget. It works as both a war film, as well as an action film, and is the most brisk, and tense 2 hours you can spend at the theatre this weekend. From the opening scene to the end credits, the pace doesn't slow, and grabs you along for the ride. Please, check this film out.

THE HURT LOCKER - 9/10

Go see something good!

BUZZ: Early Reviews (Or Tweets) Not So Kind To Transformers 2...

So, Transformers: Revenge of The Fallen is simply 5 days away, and some critics stateside have finally gotten a chance to see the hotly anticipated robot beatdowngasm that is the Michael Bay 'splosion fest. But IS it a 'splosion fest, or something wholy different?

It looks as though it may be a bit different than that. At least to a few tweets that have been sent out. Here are a few snippets of some tweets related to the film, as a whole.

devincf (Devin from CHUD.com): Here's the question about this movie: why is it so BORING? why so little action? Why so much slow bullshit?

johncampea (The Movie Blog): Transformers 2 - The "Twins" are the new Jar Jar Binks


However, more interesting than either of these tweets or the fact that it currently has a 38% on Rotten Tomatoes (7% less than the Sandra Bullock vehicle, The Proposal), is the fact that the film could be seen as rascist? Let's go back to these two sources of information...

devincf: Racist robots look like monkeys, speak jive, one has a gold tooth, they can't read.

johncampea: Shocked by how blatantly racist Transformers 2 is.


So not only are people calling the film slow and of a less-than-a-Sandra-Bullock-film quality (quit frakking low), but the film is also racist.

Anyways, I'm still holding out hope for this film, as I did kind of like the first. It's not looking good though, for Bay's robot epic. What do YOU think of this news?

Go see something good!

Thursday, June 18, 2009

TRAILER: Zombieland...



So, with the second apocalyptic trailer today, comes Ruben Fleischer's Zombieland (the first full length 2012 trailer was also released today), and I must say, I'm a bit impressed. It looks really funny, with a few, what look to be, great comedic turns from Jesse Eisenberg and Woody Harrelson, and hopefully a great plot involving the wonderful Emma Stone. It doesn't look like anything great (there is a bit of awkward CGI), but I do love where this thing is going. The trailer features a ton of great kills, and while the slo-mo is rather lame, the look and feel of the movie have me quite excited! What about you?



Columbus (Eisenberg) has made a habit of running from what scares him. Tallahassee (Harrelson) doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.

Zombieland is directed by first-time filmmaker Ruben Fleischer of only a few episodes of "Jimmy Kimmel Live!" previously. The screenplay was written by newcomers Paul Wernick and Rhett Reese best known for "The Joe Schmo Show" previously. Sony will be bringing Zombieland to theaters on October 9th this fall.


Go see something good!

VIDEO: Greatest. News Video. Ever.

This is what news stories look like in David Lynch's eyes...



Go see something good!

NEWS: Oldboy Remake DOA?

Well, as of this second, it looks so (and that was the girlsh scream you heard me just yell out of excitement)

Steven Spielberg and Will Smith have been developing (or so news has said) an American remake (of sorts) of the famous and brilliant film, Oldboy, which was the second film of Chan-wook Park's vengence trilogy (with Sympathy for Mr. Vengance, and Sympathy for Lady Vengance as the trilogy's bookends). It was going to be an adaptation of the original Manga by Nobuaki Mingegishi and Garon Tsuchiya, which the afformentione film was also based on.

However, that may have just been thrown in the gutter by Japanese publisher Futabasga. Here's what a report from AnimeNewsNetwork stated:

Futabasha is suing to confirm the lack of a binding contract between the two parties, due to an alleged breach. Futabasha asserts that Show East violated its basic agreement with Futabasha, and thus nullified it, when Show East pushed for the production of a film remake with America’s Universal Pictures. Show East signed its contract with Futabasha over film rights in September of 2002, and signed a second contract in December of 2003 that amended the original one to cover other materials.

If you have not seen the original film, Oldboy, then you have something important to do right now. The film is easily one of the best modern revenge films (possibly the best of all time), and one of the best films period, from the past 10 years. It follows a man, named Dae-Su, who is locked in a room for 15 years without knowing why or who is his captor. He is suddenly released, given money, clothes and a cellphone and is sent on journey for revenge. Really, this movie is something that should not be missed by anyone. Also, tell me this fight scene isn't bad ass.

This is perfect news, and while I do love Speilberg, Smith is NOT someone who should be in this film, and really, Speilberg isn't a director that should be doing this film. It's not a big film, but quite the opposite. It's a stark and disturbing look at revenge, and the films style is equally as intimate and dark. What do YOU think?

Go see something good!

NEWS: Antichrist...The Video Game...


This would be under a WTF category, but I'm actually quite intrigued.

Coming out of Cannes this year, there was no film that was more talked about amongst cinefiles, and in many cases, news outlets, than Lar Von Trier's Antichrist. However, it's not only going to be getting a slow (if by slow you mean probably to two theatres stateside, if that many) release in the coming weeks, it's also going to be getting the film to video game adaptation deal. A post on the video game message board NeoGAF, which leads to a Politiken.dk article (Google translation) announcing its development.

Stated in the above article, writer of Hitman (the game), Morten Iversen will be developing the project, with the help of Zeitguyz (his newly formed company), and Zentropa Eden Games. Trier will have final approval of the design and final outcome.

Here is how /Film described the project:

Eden, as the game will be called, will be a first-person thriller/adventure game that invites players to confront their fears. Willem Dafoe will reportedly reprise his role in voice-over, though the game will not replicate the film, picking up afterward instead. (Not having seen Antichrist, I can’t surmise what that means for Dafoe’s performance.) Iversen says the experience will be “strong and very personal,” “controversial” and that it “…must be your own personal hell - a bit like a nightmare version of ‘Myst’.” First one to help I.D. exactly what ‘Myst’ he means there (the Cirque de Soleil show? seems weird) gets a no-prize. Iversen evidently was interviewed on Danish radio this week; if you heard that broadcast and have more details, let us know

The film sounds insanely interesting, and Von Trier is wan to not only push the envelope but sort of abuse his audience, most of the time for no real intellectual gain. He's not my favorite director ever, but he does have his own distinct style, something that I think is perfect for a world like Myst. The game, while having you confront your fears, will allegedly allow the computer (it's a PC only title) to take in news stories from the real world, and somehow include them into gameplay. It's an ambitious title for a very ambitious film. Hopefully this will break the "shitty game from a movie" formula that has befalled cinema in the past.

Here's the films premise...

A grieving couple retreats to their cabin in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.

That's all that anyone going into the film should know, because honestly, after reading a few spoilers, the movie is the epitome of an "f'ed up" movie. If you would like to read the FULL premise, click here.

Go see something good!

Wednesday, June 17, 2009

POSTER: Stunning New Inglourious Basterds Poster...

While I do think the "Is A Basterd" posters are quite kick ass, this one takes those and bashes their skulls in with a baseball bat. It's the newest Italian poster for Quentin Tarantino's new film, Inglourious Basterds, and it is one of the best posters so far this year. Hopefully we get a poster like this, or at least similar, for this film stateside, by the time this film hits in August. Am I the only one that thinks this film is going to do BIG?



During World War II, a group of Jewish-American soldiers known as "the Basterds" are chosen to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris that is targeted by soldiers.

Inglourious Basterds is both written and directed by the infamous Quentin Tarantino, of everything from Reservoir Dogs to Pulp Fiction to Kill Bill to Death Proof previously. The Weinstein Company and Universal have partnered to bring us Tarantino's WWII masterpiece in all of its brilliant glory. Inglourious Basterds will officially hit theaters worldwide on August 21st later this year after its world premiere at Cannes.


Go see something good!

NEWS: Batman 3 Not a Given With Nolan At The Helm...

This does come as quite a surprise, and not a good one, at least for fans of the Caped Crusader.

IGN is reporting that the rumor mill is a blaze with suggestions that Christopher Nolan's involvement with the inevitable sequel to The Dark Knight may not be 100%.

A trusted industry source for Batman-on-Film claims that it is going to take a herculean effort on the part of Warner Bros. to sell Nolan on doing a third Bat-film, confirming an old rumor that the studio has indeed compiled a short list of replacement candidates. So why is Nolan reportedly iffy on directing the film?

"The death of Heath Ledger in January of 2008 rocked Mr. Nolan hard. So hard that Chris was convinced that TDK was going to be it for him and Batman on film," according to BoF's source, adding that the Joker was envisioned as the villain in the third film.


Their source did also confirm that BoF was indeed correct when they reported that Nolan is currently developing a story for the film with his brother, Jonathan Nolan, and David Goyer, but we are still waiting until at least 2012 until Batman will be in theatres again, and maybe not until 2013.

BoF's source went so far as to say that, as of now, there is no story for Batman 3 though.

Tis is all bad news. Just look at the Spiderman and X-Men franchises for why a third Batman film is bound to dissapoint, particularly in the case of X3, when they also ended up switching directors. This is about as good of news as hearing that you are getting a root canal from a toddler with a katana. Just not something you want to hear as the night ends.

Who do YOU think should take over this franchise? I'm hoping this goes into the hands of Zack Snyder, who is on WB's short list. What about you?

Go see something good!

Tuesday, June 16, 2009

NEWS/TOP 10: Paste's 25 Most Essential Foreign Films Since 2000 and MY Top 10...



So recently, Paste Magazine (awesome magazing for the indie music/film fan in your life) posted their list for the "Top 25 Foreign Films Since 2000". While it's a really solid list, I do have a few disagreements. Here is their list.

25. Maria Full of Grace
24. Persepolis
23. Volver
22. Let The Right One In
21. Oldboy
20. Gommorah
19. Downfall
18. Paradise Now
17. Yesturday
16. The Class
15. Nobody Knows
14. The Best of Youth
13. Y Tu Mama Tambien
12. Amelie
11. 4 Months, 3 Weeks, and 2 Days
10. Cache
9. Amores Perros
8. The Lives of Others
7. In The Mood For Love
6. Spirited Away
5. Talk To Her
4. City of God
3. The Diving Bell and The Butterfly
2. Crouching Tiger, Hidden Dragon
1. Pan's Labryinth

While I love the ones on the list I've seen (all but Nobody Knows, Yesterday, and Best of Youth), I have a BIT of a different list, at least a different top 10. Therefore, in my newest edition of TOP 10, here is my list of the 10 essential foreign films since 2000...

10. Howl's Moving Castle/Pan's Labryinth
9. Amorres Perros
8. Let The Right One In
7. Cache
6. Maria Full Of Grace
5. In The Mood For Love
4. City of God
3. Tripletts of Belleville
2. Amelie
1. Oldboy

What are YOUR favorite foreign films?

NEWS: Headlines....

The past couple of days have brought out many huge news stories, many of which I haven't had the chance to report. However, what follows will hopefully change that. Here are the headlines...

- Danny Trejo has told sources that Machete WILL begin shooting soon...how soon? FIVE WEEKS...

- Sources have reported that the remake of the classic anime, Akira, is officially dead...

- Platinum Dunes producers Andrew Form and Brad Fuller talked with a handful of press last week, and dropped a hint that the upcoming Friday the 13th sequel will be set in a snowy landscape...just a TINY bit awesome...

- A brand new rumor has just hit, and the web is a buzz with the possibility that Michael Sheen may be in talks to play Blofeld in Bond 23...

- The BBC has gotten ahold of Shia Labeouf, who happened to tell them that Steven Speilberg is "gearing up" a possible Indiana Jones 5...

- Pursuit of Happyness scribe Steven Conrad has taken over the duty of penning a rewrite of the upcoming Karate Kid remake/reboot...

- Paramount has purchased a pitch from Brian Koppelman and David Levien, Rounders screenwriters, which is reportedly based around online casinos. Oh, and they also have Leonardo DiCaprio starring in the film...

- Reports have been leaked saying that Bekmambatov, director of Wanted, will begin shooting the sequel in fall of this year, and that Fox, Angelina Jolie's character, will be back...

- Be sure to pick THIS up when it gets released in October...

- Lars Von Trier's Antichrist will be released in an unrated cut for it's theatrical release in the UK...hopefully the same can (but won't) be said for the US release...

- CREEPY stuff right here. An Italian woman who arrived late for the Air France plane that crashed, has been killed in a car crash...

- The official website for District 9 is up!

- In an update to last nights Black Swan post, MGM is now reporting that Aronofsky's RoboCop is now aiming for a 2011 release...

- A new photo from the set of Scott Pilgrim vs. The World is up. It features Mary Elizabeth Winstead who play’s Scott’s girlfriend Ramona V. Flowers, and Anna Kendrick who plays Scott’s sister Stacey Pilgrim.


- Finally, a new poster for The Hurt Locker is up. The film is brilliant, and I will post my review of it in a couple of weeks, when it gets its full theatrical release.



Go see something good!

NEWS: Nolan's Inception To Get $200 Million Budget?

It appears so.

Coming off of the MONSTER that was The Dark Knight, Christopher Nolan's next project will not only be another big budget film, but will be roughly 15 million dollars MORE expensive than his 2 1/2 hour superhero epic.

According to The Calgary Sun, Nolan's Inception will be shooting in Canada in the coming months, and not only do the mention a couple of location details, but they also report that the budget will be in the ballpark of 200 million dollars - or closer to $176.5 million if that first amount is actually Canadian dollars. All of this comes with the public knowing NOTHING about the film itself.

The Sun also reports that Inception will be shot in five countries, with most of it's photography being done in Kananaskis, just outside of Calgary.

"Nolan scouted nearby foothills and mountainous areas by helicopter and is said to have chosen Fortress Mountain as the main Alberta location."

The shoot will feature "hundreds, if not thousands, of local film workers starting this summer when construction on the elaborate set is due to begin." Shooting is set to start in November.

The only thing that really anyone knows about the film is that it's a "contemporary sci-fi actioner set within the architecture of the mind." Which, as FirstShowing so eloquently put it, means that no one knows anything about this film. Talk about secrecy. This must have J.J. Abrams freaking out right now, as he is the relative king of cinematic secrecy. I love this news, and I love how under wraps the project is. It's a breathe of fresh air in the current world of being pelted with 30 TV spots a day about Iron Man or Wolverine, showing every scene shot during the films production.

What about you? What do you think about Nolan getting this huge budget?

Go see something good!

EARLY BUZZ: Bruno Gets Its First Review...


So after last nights Paris premiere of Bruno, the first review has been released. The review comes to us from the British paper, The Sun, and along with other things, it mentions that "Hitler gets a mention every five minutes", and that “the pygmy sex scene is one of the most horrific incidents ever committed to celluloid.”

Here's just a snippet from the full review, which can be read here...

“To say Brüno makes uncomfortable viewing is an understatement of Battle of Britain proportions. When I wasn’t giggling like a 14-year-old, I was cowering behind my hands.” … “The character does lose a bit of steam towards the end but the musical climax … is a fitting finale.”

(Thanks to /Film for the heads up)

On a non-review note, the twittoshpere has had a few 140 character reviews posted, with the biggest one coming from the BBC's Jonathan Ross, who tweeted...

“Was very funny. Not as funny as Borat, but funny.”

What do you think of this news? I personally like the fact that it's pushing the limits, even more so than Borat, because if there is one thing I really enjoyed, was how ballsy Borat was. Sure, it's not a good movie, but it does show the awful side of America, and I hope this can kind of push the envelope even more. Plus that trailer is f***ing hilarious.

Go see something good!

NEWS: Portman Joins Aronofsky's Black Swan...

This is a mixed bag of emotions for yours truly.

There are really TWO pieces of news involved with this story. First, the most apparent piece of information:

Natalie Portman has officially signed on for Darren Aronofsky's upcoming project, Black Swan. Black Swan, from what we all know about it (which is little to nothing), is a paranormal thriller set in the world of New York City ballet. THR reports that Portman will play a seasoned ballerina who will reportedly find herself "locked in to a competitive showdown with a rival, with the stakes and twists increasing as the dancers approach a big performance", with the twist being that Portman's character isn't quite sure if her rival is a ghost or something similar, or just that she is seeing things.

That is the best news that I could have clicked on from a link on Twitter. I'm a monster Portman fan, and an even bigger fan of Darren Aronofsky. He has yet to make a bad film, and consistenly makes superb dramas. From Pi to The Wrestler, he has made stellar films, and will certainly make this interesting concept into one hell of a good film. However, it's not quite the film I wanted to see him make.

The other piece of news is that this could very well mean that his much talked about RoboCop reboot for MGM is off the books, or at least being delayed. It looks as though Aronofsky is looking to get this film into production by years end, with Portman certainly sealing the deal for potential studios. While I think the film will be great, I was much more interested in seeing him take a big budget, and doing a film with those kind of resources. Even more so than RoboCop was his take on Noah's Arc, which very well could be one of the most anticipated films to be talked about in a long time. I know it's the most anticipated film in the pipeline for yours truly.

What about YOU? What do you think about this news?

Go see something good!

Portman would play a veteran ballerina who finds herself “locked in to a competitive showdown with a rival dancer, with the stakes and twists increasing as the dancers approach a big performance.” But it isn’t as simple as that — the big twist is that Portman’s character is not sure whether her rival is a supernatural apparition or if she is having delusions.

Monday, June 15, 2009

WATERFRONT FILM FESTIVAL REVIEW: True Adolescents (With Thoughts On True North and Pride of Lions)...


So it was quite the interesting festival this year here in Saugatuck.

The 11th Annual Waterfront Film Festival not only brought to the shores of Saugatuck many new Midwest and in some cases US Premieres, but the quality of these films was shockingly high. I got a chance to see five films, and of those five, two stand out as not only the best, but possibly two of the better films I've seen all year. First, there was the second film I reviewed this past weekend, Peter and Vandy. Well, the final film I got to see on the final day of the festival will now join that film near the top 20 of the best films I've seen this year. That film is the new indie soon to be hit, True Adolescents.

Premiering at this past years SXSW Film Festival, True Adolescents is director Craig Jonshon's first feature film and stars Mark Duplass (who also co-starred in the WFFF premiere, Humpday) as Sam, a washed-up musician who is jobless and inevitably homeless. He then moves in with his aunt (Melissa Leo), who asks him to simply take her son on a camping trip with a friend of his. However, what ends up happening is much more of a journey than either of the kids or Sam could have imagined.

Coming into this film, I had previously seen the film True North and the documentary Pride of Lions (both of which I will talk about in a minute) and while the latter was quite good, True North did not kick start the day the way I had hoped. However, nothing could have ended the day better than this film.

The one thing that sold this film, and will hopefully make this film a hit, is the relationship between the main lead, Sam, and the two teens. They are just growing up, and this camping trip not only strains their maturity, but it also strains their relationship with Sam, and Sam's maturity as well. It's a coming of age tale, and while it may come off as a bit cliche, it is enhanced by three really great performances, spear-headed by Duplass.

Speaking of Duplass, this performance is something I hope everyone will take in sometime soon, because it's a special comedic turn. He plays an aging rocker who really can't handle the fact that he isn't a big name artist, and he sells this role perfectly. He's the right combination of charming, and yet lethargic that the role is perfect for him. He has superb comedic timing, and truly hits every note.

So does the supporting cast. Melissa Leo is the biggest name actor in the film, after her recent Oscar nomination for Frozen River, and is great here. She is fed up with her nephew, and yet still loves him. Shes compassionate, and is a really nice addition to this film. The two teens are also equally as good, and completely sell the idea that they are growing up and not quite sure about a lot of things in their lives. However, all of these performances couldn't be there is the script wasn't as strong as it really is. It's Johnson's first screenplay, and is really a fresh take on the coming of age story. It does have its cliches, but for a film to take a rather simplistic plot, and infuse it with so much heart and passion, really gives the film a lot of depth that others of its ilk would not have.

The film also has a very interesting visual style. While it is a low key take, a very indie style dramady, but it still has a great style. It's not a cinematic style of film, but it's much more intimate and engrossing than many other films out right now. It allows the story to breathe in its own world, while still planting the viewer right in the middle of the aforementioned story. The film also features a SUPERB soundtrack, rivaling any released this year. It really adds a lot to the film, and in some instances (like a specific scene involving a deal made between Sam and his aunt's son) gives you a stark sense of growth and development within the characters, something that most big budget films horribly miss.

Sure, the film has some flaws, like a hit or miss set of jokes throughout the film, a lagging first act, and a bit of a cliche plot and final payoff, but it will be a film that you won't be able to forget. It's easily one of the better comedies of this year, and along with Peter and Vandy, make this past Waterfront Film Festival one of the better ones of it's history.

TRUE ADOLESCENTS - 8/10

Now onto something COMPLETELY different, the horrible piece of drek that was True North.

It's been a pretty long time since I dug into a movie for it's sheer lack of quality, so it's probably overdue. True North is not the worst film I've seen all year, but what is wrong with the film, IS the worst I've seen all year.

True North tells the story of a crew of a Scottish trawler, who are on the edge, at least monetarily. The Skipper is bankrupt, and close to losing his ship to the bank. However, to make things better, the Skipper's son, Sean, takes on a group of Chinese illegal immigrants to Scotland, for quite the sum of money. His friend and crew mate Riley helps him out, and as they go on their trip, tides turn, and the scheme hits many bumps. Left out of the stored group is a young Chinese teen hides in the engine room. This also adds to the drama, and in many ways adds to the schlockiness of the film.

The movie does have a few highlights. First, Peter Mullin as Riley is phenomenal. He brings a lot of heart to this rather dreary and depressing story, and brings in a lot of breaths for the audience. Also, the visual style of this film is quite stunning. It's a dark tale, and the cinematography and direction really add depth to the film. It's a film primarily set on the open sea, and the look of the film is quite smooth and fluid.

However, the film is two separate movies, smashed together, with the outcome being the worst half.

The main flaw of this film is that it doesn't quite know what it wants to be. You have a very awkwardly shot, written, and paced opening that plays more like a dramadey than a film based around smuggling humans into a country. You have characters instead of full fledged humans being portrayed on screen, and the notes that it hits sounds like an out of tune flute. Grating and ear destroying, the film really fell flat in these important opening moments.

Then the ship takes on their new cargo, and the film switches gears. While it's an interesting look at what goes on when people do this, it doesn't wholly work. It is a lot more intriguing and engaging, as the roles, particularly that of Sean (which was the worst part of the opening of this film), become more fleshed out, but it is completely undone by the supporting cast, and particularly the score. Every heart turning scene is set to the sound of the most bombastic and thematic style of score that seemed to come out of Indiana Jones instead of an intimate and stark indie drama. It does the film no service, and while it does increase in quality exponentially during these moments, it still can't commit to being a good film completely.

While the film does have what can be called a third of a good film in it's whole, it doesn't amount for something you should strive to see. It's something that, if it's on TV or at your local rental shop, I will tell you that you should watch it, just so you can get as angry as I am.

TRUE NORTH - 3/10

Finally, I saw the documentary Pride of Lions, and it is a PHENOMENAL documentary. However, the story is quite deep, so I will simply point you to it's official website. Please, if you get a chance, see this film

PRIDE OF LIONS - 7/10

Thanks again to everyone at the Waterfront Film Festival, Jason Ritter, and all of the film makers who brought their films to the festival. Can't wait until next year!

Go see something good!

Sunday, June 14, 2009

WATERFRONT FILM FEST EXCLUSIVE: A Few Minutes With Jason Ritter...



So, as many of you may know, I absolutely ADORE Peter and Vandy. It's a stellar film, with a great visual style, set around a realistic and very intriguing story. However, all would be for naught if the cast wasn't up to par.

Lead by two great lead performances by Jess Weixler and Jason Ritter, the film is not only an entertaining film, but a look into what a relationship does to each partner and the turmoil that a relationship can cause.

After a documentary called Pride Of Lions today, I had the chance to sit down with the aforementioned Jason Ritter for a few minutes. It was a bit of an impromptu interview (I was sitting probably two rows behind him during the film and decided to see if he would let me ask him a few questions) and I must say, he is one of the nicest guys I've met, and I hope the following is interesting for all of you. Enjoy.


ME: First, I would like to say that I loved Peter and Vandy. It was a really great film

JASON RITTER (JR): Thanks man, that means a lot.

ME: Your character, Peter, seemed very real and down to earth. Did you have any past experiences or current experiences that you were able to draw from?

JR: Well, I've been in a relationship for a long time now, and I think that as the relationship grows, you begin to confront the very worst parts of you. The script seemed extremely real to me, and I guess that is what drew me to it. It brought up the fact that as a relationship grows, different kinds of love also grow. You let the other person see the ugliest side of you, and if you come out of that, the person will truly love you for who you are. I think that everyone can somehow relate to this, and I was able to draw a lot from my experiences, which made the film a whole lot more real to me.

ME: What has the experience been like making this film?

JR: It was a very intense shoot. The film was shot in 18 days, with 3 days of rehersals before hand. The film is based on a play, and Jay's (Jay DiPietro, writer/director of Peter and Vandy) writing was amazing, and very specific. It got to the core of how people truly talk, in things like half sentences, stutters, and broken sentences. Me and Jess (Weixler, his co-star) ended up running lines all night long, and we had previously not worked with each other. This allowed us to get to know each other in a similar way that our characters did. We got to meet, flirt, and inevitable get ugly, which really let us put us into the film.

ME: How was it working with Jess Weixler?

JR: She's incredible. She's really receptive, and unlike most actresses who seem to just read lines, she looks directly at you when speaking, which allows me to get a lot more comfortable. We were both scared at the beginning, knowing that the movie depended on our chemistry and our performances, but she was someone who I could play with, which let me open up more. She's just not only an incredible actress, but an incredible person too.

ME: Well thanks for letting me ask you a few questions, and I would like to say again that I really loved the film, and I can't wait to see it again.

JR: Thanks man, we put a lot into it, and it's nice to hear people enjoy it. Thanks.

Hopefully that was interesting for you all, as it's easily one of the coolest things I've gotten to do as a film blogger. I would like to thank Jason Ritter for letting me bug him with a few of my questions, and hopefully you all will get a chance to check out Peter And Vandy, as it's a film that should not be missed. You will hear much more about this film as the weeks pass.

Go see something good!

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